Audrey Wong

Audrey Wong is a cultural policy expert, civil society advocate, veteran arts manager and the first Nominated Member of Parliament for the Arts in Singapore. She holds a Master of Arts (Research) in English Literature from the National University of Singapore and a Master in Arts Administration and Cultural Policy from Goldsmiths, University of London. She is currently the Programme Leader of the MA Arts and Cultural Leadership programme and helps co-ordinate the ANCER Network - the Asia Pacific Network for Cultural Education and Research, a LASALLE project. She is a Research Fellow with Creative PEC - the Creative Industries Policy and Evidence Centre led by the University of Newcastle, UK.

Prior to joining LASALLE in 2010, Audrey was the artistic co-director of The Substation, Singapore's seminal independent art space. With co-director Lee Weng Choy, she launched The Substation’s Associate Artists programme to support local artists in sustaining their practice, and refocused the arts centre as an arts incubation space. She curated and organised festivals, exhibitions, conferences and artists’ exchanges, connecting with Southeast Asia, Europe and Australia. Before her appointment as artistic co-director, Audrey  conceptualised and curated Moving Images - the first year-round film programme in Singapore focused on giving a platform to homegrown filmmakers. She was also previously the gig programmer at The Substation, working with local underground musicians. She remains connected to artists she has befriended who come from multiple disciplines -  visual arts, theatre, music, film.

As an educator, Audrey started as an adjunct lecturer in the Theatre Studies programme at the National University of Singapore, then taught part-time at LASALLE before joining the college full-time in 2010. 

In 2009, Audrey was nominated by the arts community and appointed as a Nominated Member of Parliament (NMP) in Singapore’s Parliament. During her term she championed the cause of freelance artists in Singapore and was among the early voices to call for better conditions for them. Audrey is sought after for her expertise on arts policy matters. She has served on various institutional boards and committees, including the boards of Singapore Art Museum and Nine Years Theatre, was a Council member of the National Arts Council and recently served on the selection committee of the National Library's Creative Residency programme. She contributes commentary pieces to the Singapore media and has written chapters for arts management and policy texts, including The Routledge Companion to Arts Management (2020).

Audrey has supervised numerous MA and BA dissertations. She has experience guiding students who feel that research is not 'their thing', working closely with them to shape and take ownership of their dissertations and research projects. She appreciates how the students broaden her knowledge of the world and humanity. Her interest areas include: Singapore's cultural policies; the creative and cultural industries; creative cities; placemaking; arts spaces in Singapore and Southeast Asia; censorship; arts leadership and advocacy.

Audrey has taught at both BA and MA levels, covering the following areas: academic writing, research skills, cultural policy, the creative industries and creative economy, and some areas of arts management practice (foundational principles, fundraising, creative labour, strategy and leadership), as well as dissertation supervision. 

Arts and cultural policies, particularly of Singapore; creative industries policies; arts and cultural leadership; creative cities and placemaking; arts spaces; creative labour; arts advocacy and civil society. Coming from a family involved in Chinese opera, she is currently doing research on the relationship between the governance of Chinese opera groups and the survival of traditional opera in Singapore.

Audrey's research interests are motivated by her sense of the need to document and understand current contexts for, and developments in, the arts and cultural sectors in Singapore and Southeast Asia. With growing awareness of the need to decolonise arts management curricula, there is more urgency to document and analyse Southeast Asian arts management practices and leadership issues. Audrey's research is empirical and the approach is generally qualitative, including drawing from written documentation and records, reports and other secondary sources in addition to using evidence drawn from interviews and observations in the field. She has also used action research approaches. The intersection between theory and practice (praxis) is of particular interest to her.

2025-27: Behind the Painted Faces: Chinese Theatre Circle and Chinese Opera in Singapore. 

2020-21: Backstage: Managing Creativity and the Arts in Southeast Asia, for UNESCO Bangkok, co-investigator with Sunitha Janamohananhttps://bangkok.unesco.org/content/publication-backstage-managing-creativity-and-arts-south-east-asia

"Arts advocacy in Singapore: emergent leadership in ground-up arts organizing." The Routledge Companion to Arts Management Vol 2, edited by William Byrnes, Aleksandar Brkic, Brea Heidelberg, Kiwon Hong. Forthcoming.

 " 'Emerging Stronger': Cultural Policy Highlights of Singapore's Covid-19 Pandemic Response."  Cultural Policy Tracker, ENCATC - European Network on Cultural Management and Policy, 2022, no. 1, pp. 30 - 38. https://www.encatc.org/media/6291-encatc_policy_tracker_april_2022_final.pdf

"Dialogue, Differences and Empathy: How Theatre Can Facilitate Deeper Engagement with Multiculturalism." One United People: Essays from the People Sector on Singapore's Journey of Racial Harmony, edited by Koh Buck Song, Singapore: Marshall Cavendish, 2022, pp. 164 - 177.

Backstage: Managing Creativity and the Arts in Southeast Asia, co-author with Sunitha Janamohanan, UNESCO Bangkok 2020. https://bangkok.unesco.org/content/publication-backstage-managing-creativity-and-arts-south-east-asia

"Post-Renaissance Singapore." Space, Spaces and Spacing 2020, edited by Adeline Chia, Singapore: The Substation, 2020.

"Rules of Engagement in the Global Arts City: The Case of The Substation." The Routledge Companion to Arts Management, edited by William Byrnes and Aleksandar Brkic, Routledge, 2019, pp. 187 - 202.

"The Report of the Advisory Council on Culture and the Arts." The State and the Arts in Singapore: Policies and Institutions, edited by Terence Chong, Singapore: World Scientific, 2018, pp. 111 - 126.

"Sinking roots, or trying to." The Esplanade Off-Stage: Researchers, 2017. https://www.esplanade.com/offstage/researchers/explore/sinking-roots-or-trying-to-singapore-theatre-past-into-future

(Editor) 25 Years of The Substation: Reflections on Singapore's First Independent Arts Centre. The Substation & Ethos Books, 2015.

"Exegetical Commentary" to "The Singapore Arts Landscape: Influences, Tensions, Confluences and Possibilities for the Learning Context" by Gene Navera, in Contextualized Practices in Arts Education: An International Dialogue on Singapore, edited by Lum Chee Hoo, Springer, 2013, pp. 21 - 24.

"Artists' Advocacy in Singapore: A Changing Drama." Asia Pacific Journal of Arts and Cultural Management, vol. 9 no. 1, 2012, pp. 45 - 52.

Yes, I am available for academic supervision. Most recently I have supervised dissertation research in the following topics: arts leadership; creative placemaking and cultural policy; Singapore's punk subculture; film funding in Singapore; film policy and market in Macau; music industry ecosystems; eco-artivism in Southeast Asia; contemporary circus in Singapore; managerial challenges for arts organisations.

As an arts manager, Audrey was comfortable working in visual, image-based and performing arts (reflecting The Substation’s interdisciplinary approach). She was particularly interested in nurturing emerging artists, developing platforms for contemporary performance and cross-disciplinary collaboration by independent artists, as well as developing the audience for contemporary arts. Her arts managerial expertise covers artistic programming, producing, fundraising, strategic planning, arts /non-profit governance, community organising and arts advocacy. She is currently producing a major show by traditional arts organisation Chinese Theatre Circle, to be staged at the Esplanade in Sept 2026.

Producer & Researcher, One Love, A Legacy: Celebrating Joanna & Leslie Wong and Chinese Theatre Circle, Singtel Waterfront Theatre at the Esplanade (2026).

Conference Committee, ANCER Conference 2025: Shaping Asia's Creative Futures. LASALLE & Chinese University of Hong Kong. 

Convenor, Cultural Leadership in Practice: Nourish / Justice / Impact (2025 - ongoing). Online seminar series by the MA Arts and Cultural Leadership programme on arts and cultural leadership with global speakers.

Co-organiser, ANCER Lab series - Yogyakarta (2024), Bangkok (2023), Manila (2021), Ho Chi Minh City (2019).

Conference Committee, ANCER Conference 2022: Ecologies of the Arts. LASALLE College of the Arts.

Co-convenor, ANCER Conference 2020: Disruption as Opportunity. LASALLE College of the Arts.

Research resource for Debbie Ding's The Substation Archive Exhibition, 2015.

Co-convenor, ANCER Conference 2014. LASALLE College of the Arts.

Producer, Reinventing Sita - a Singapore-Mexico theatre production by Elizabeth de Roza, Eugenio Cano Puga, Itzel Rodrigues Macias, 2011. 

Co-organiser (with Khairuddin Hori), The HAO Summit (networking and mentoring summit for arts managers, artists and curators in Southeast Asia), 2006 - 2010.

Launched and developed Associate Artists Programme at The Substation, 2002 - 2009.

Co-artistic director, Septfest at The Substation, 1999 - 2009.

Organising committee, Magdalena Singapore: A Festival of Women in Contemporary Theatre, 2003.

Organising committee, Open Ends: Documentation Project on Performance Art in Singapore (Exhibition and Publication), 2001.

Volunteer, Chinese Theatre Circle

Since 2021, I have been part of a group of 8 artistic directors/ arts administrators who engage with the NAC on issues pertaining to the impact of policy on arts practitioners and arts companies in Singapore. 

Panelist, "Working With/In the Region." Connecting Contours convened by Morasum Network, Goethe-Institut Singapore.

Emerging Producers Programme 2025 by ProducersSG: interlocutor at dialogue session with emerging producers.

Selection Committee, National Library Creative Residency, 2021 -  2025. 

Guest panelist, panel discussion "Cultural Leadership and the Creative Industries" at The Idea of North - Singapore-Brunei Exchange organised by Global Cultural Alliance, 2024.

Mentor, Arts Journalism Matters (2023) - residency for young arts writers organised by Asia-Europe Foundation and ENCATC - the European Network on Cultural Management and Policy.

Keynote address for ProducersSG's Producing Lab "What if we do it this way?", 2021.

Community workshop on Our SG Arts Plan, co-convened with Dr Hoe Su Fern, 2021.

Part of ArtsEngage, an ad-hoc, informal group of arts practitioners /advocates in Singapore, 2014. https://sites.google.com/site/artsengagesg/whois

Chairman, Nine Years Theatre (2020 - 2024).

Advisor, The Substation (2021 - 2025).

Organiser, Art of the Willing Hearts, a fundraising exhibition by MA students for Singapore charity Willing Hearts, 2015. 

Nominated Member of Parliament for the Arts, 2009 - 2011.

Board member, Singapore Art Museum (2010 - 2013).

Council member, National Arts Council (2011 - 2013).

Steering Committee member, Arts and Culture Strategic Review (2010 - 2012).

Singapore Internationale Grant committee (2011 - 2015).

Vice-president, Magdalena Singapore (society of women theatre practitioners), 2007 - 2009.

I can assist with projects of a cross-disciplinary nature; performing arts projects; film festivals. I may have time constraints though, due to other work commitments.

National Arts Council Cultural Leadership Fellow, 2013.

Nominated Member of Parliament for the Arts, 2009 - 2011.

Italian Institute of Culture scholarship, 1995.

English Literature Book Prize, National University of Singapore, 1988.